Artist Biography

Daisy Noyes (born 1980, New York) is based between Melbourne Australia, and rural Massachusetts USA. She studied photography at Sarah Lawrence College in New York and performance at The University of New South Wales in Sydney. She uses both digital and analogue large format cameras and works in the space between photography and performance art. Her images are often visual records of fleeting actions that distill an inner experience. Her practice explores themes of motherhood, embodiment, the domestic, seasonality, eco-anxiety, and the relationships between humans and the natural world. 

 

Exhibitions

2022: Work In Process Gallery, Fitzroy, Victoria: solo exhibition and photobook launch: “DETOUR” 

2022: Caelum Gallery, New York: “LensCulture’s New Perspectives in Photography”

2021: Lishui Festival of Photography/FORMAT Festival, Lishui, China: “un/natural”

2021: FORMAT Festival, QUAD Gallery, Derby, UK, and online: “#MassIsolationFormat”

2021: Ballarat International Foto Biennale, Ballarat, Australia: “#MassIsolationAus”

2021-2022: View Camera Australia: Online Group Exhibitions #1, #5, #6

2020: International Center for Photography, New York, USA: “ICP Concerned: Global Images for a Global Crisis”

2020: Auckland Festival of Photography screening, New Zealand: screening of “#MassIsolationAus”

2020: NOIR Gallery, Melbourne: Group exhibition “Miss Rona”

 

AWARDS

2022: Shortlist, Photo-book Award, Australian Photography Awards, Digital Pre-press category

2021: Winner, Expert Recommended Photographer’s Award, Lishui Photography Festival, China

2021: Finalist, Documentary Family Awards, Environmental Portrait category

2021: Semi-finalist, Head-On Photo Awards, Sydney, Portrait category

2020: Winner, LensCulture Critics’ Choice Award

2020: Finalist, Australian Photography Awards, Portrait category

 

Published work

2022: “DETOUR” Self-published photo-book

2021: Photo Collective Magazine, Melbourne

2021: GALAH Magazine, Australia

2021: Photographer’s Companion, China

2020: The Guardian Australia, UK, USA

2020: JANE by the Grey Attic, Melbourne

2020: The Age, Melbourne

2020: The Sydney Morning Herald

2012: VOGUE Living Australia

2010-2014: RealTime Arts, Australia

 

PRESS/LINKS

The Guardian: “Pain can be poetic – LensCulture’s Critics Choice 2020 Winners – in pictures”

The Guardian: “Australian women document climate crisis in visual petition – In pictures”

The Age: “They really stink: photographer makes dresses from Merri Creek waste”

Feature Shoot: Gowns made from rubbish bring awareness to the most polluted creek in Melbourne”

Women Photographers Australia Featured Photographer

FORMAT Festival: FORMAT21: Control; Virtual Gallery Space, Room 5

View Camera Australia Folio: “Back Garden”

View Camera Australia: The Photograph Considered #14

View Camera Australia Online Exhibition #6

View Camera Australia Online Exhibition #5

View Camera Australia Online Exhibition #2